Pere Ubu
claimed that they were going to give us an album that you could dance
to, and with 'Lady from Shanghai' they've kept their promise.
There's
only one problem.
While you
could dance to it there is the chance that people are going to laugh
at you.
The only
sort of moves that the album will lend itself to are ones that could
be mistaken for seizure activity.
This may
not be a bad thing for those of us who already lean towards that sort
of rhythmic expression.
For once
we may not be the only ones that look as if we are playing invisible
twister on the dancefloor.
It's
definitely going to be interesting when I go to see them.
I doubt
that they will be leading the audience in a sing along with them if
they concentrate on the new material, but in a perverse way I would
maybe enjoy it if they tried.
The album
itself is, as we expected, the avant garde expression of where the
band are at right now.
There's
the usual free form meanderings layered over something a tad more
solid, and it's this ability to stray from the path, but keep it in
sight, that has allowed me to get along with their output over the
years.
While
some bands experiment to the point that they have dipped over the
horizon and lost me Pere Ubu have always managed to maintain
something in their sound that I can hang onto.
I
appreciate that.
A little
something buried in the aural landscape that is comfortingly
recognizable.
While
there has been times that I have embraced a certain degree of
disappointment in some of the material that they have released I've
yet to feel that nudge with Lady from Shanghai.
The track
'Musicians are Scum' is up there with the best that they have done.
It's also
one of the more accessible songs on the album, but that's not the
reason that it stands out, instead it's because for me it just
carries a degree of weight to it.
While
other songs are floating about this one feels heavy with the weight
of gravity hanging onto it.
There's a
pressure there that sounds effectively stifling.
It's
pretty much a gateway song for the uninitiated to get into Pere Ubu
from.
I suppose
in short you could claim that 'Lady from Shanghai' is like the
soundtrack to a film that David Lynch is yet to make, and if that
sounds alluring then step right up.
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