On at
least an annual basis the rumour will mill goes into over drive and
stories will start trickling down that Dame David of Bowie has been
seen in the studio and a release is imminent.
There's
been ten years of that trusted old chestnut being rolled out with
nary a crumb of factual evidence being there to support it.
So when
the story barely resurfaced yet again a few weeks ago some would have
been forgiven for thinking it was the same old song and dance.
I
certainly did.
A word
here and a word there, but that was it.
The
whispers fell far short of being of the stage variety, and little
credence was lent to them.
Along
with the most hardcore fans my Bowie sense failed to tingle at all,
and this morning it was as much as a surprise to me as anyone else
that we not only have a story in the headlines of a forthcoming
outing from the man who fell to earth, but an actual song that is
available to download.
While
governments all over the world are spectacularly failing to keep a
secret it would seem that those in the Bowie camp voluntarily had
their lips sown up to ensure that the news didn't leak prior to the
single being made available to the public.
That it
is now with us is akin to opening the door to find a favourite uncle
has returned from a decade long journey.
He's
maybe a bit dishevelled looking and we haven't had time to usher him
in, find him a seat, or draw a complete story from him, but never the
less we are glad to see him.
However we have managed to find out that not only is he back, but a return
visit is on the cards to.
Or in
plain English the single is with us today and an album is coming in
March.
So what's
the story with the Tony Visconti produced 'Where are we now'?
Well on first
listen it comes across as one of the most literal songs that he has
released in a very long time.
In what
some may call a laconic delivery he reminisces about his time in
Berlin and takes us on a guided tour of the city he knew, and as he
isn't particularly known for looking back I found this to be a a
strangely compelling angle.
That it
is also pretty much a traditional arrangement of music, and bypasses
his tendency of looking to be on the cutting edge, adds to the wrong
footedness of his return, and with that what we get is yet again the
unexpected.
While we
could have speculated that his return would have been one that looked
to land just slightly ahead of the curve he has once again managed to
be veer away from the areas that some would have mapped out for him
and reiterate that he is not a man who preconceived ideas sit
comfortably with.
I guess that means that the unexpected is now the expected and he delivered on it again.
Even now
some may be trying to speculate what the forthcoming album will
sound like based on the single, but who really knows?
Only
those who have been working with him on it I suppose, and as I said,
it's possible their lips have been sewn shut.
So I
guess it's now just a waiting game, and I'm happy to admit the
anticipation is a rather delightful feeling.
Personally I'm very pleased that he is back.
The Next Day is released on March 8th in Australia, the 11th in the UK and the 12th in the USA.
Boring. Zzzzzzzzzzzzzzz.
ReplyDelete...and you're back, but running out of steam now.
ReplyDeleteHey fuck you. Did the last post you put up exhaust you?
Does your brain need a power nap now.
Your comment, while basic, is subjective.
That's something that it shares with what I have upped, but fuck you, apparently you seem to feel that you are dealing with facts, or are you simply expressing an opinion.
If so, then fire in fuck you.
So J.f.y. You're not a Bowie fan then!
ReplyDeleteWOW!!!! That's some "Hazy Cosmic Jive."