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Tuesday, 29 July 2014

The Wiseacres.

Classed as one of those shoulda woulda coulda bands The Wiseacres just fell short of snatching at the next rung on the ladder of success on their first stab at making a go of it in the music biz
The reason was all about public tastes moving on rather than them setting a foot wrong though.
It’s the time old tale of boy meets girl, likes girl, sees another girl and leaves the first girl behind.

The public are of course fickle bastards.

The difference between other acts and The Wiseacres though is that they decided not to end the story there, and with a fresh album released they have managed to not just revisit the past, but use the intervening years to ensure that they didn't stall themselves into a musical rut.
With Sharon Bain at the vocal helm for much of it the references to Debbie Harry and a slew of late eighties indie power pop chanteuse are unavoidable, but the band doesn't sound like any particular one, and certainly not Blondie, and that keeps it all very interesting.
In addition the occasional male vocal lead from John White can take us into Velvets and Jesus and Mary Chain territory to, and it is in this broad range of influences that are being touched on that the band can manage to take a great deal of essentially disparate parts and weave them together to create a cohesive whole.
Pretty damn impressive, but don’t ask me how the actually do it because it’s probably a secret that if I knew and revealed then certain death would be on the cards.

Maybe this time around that elusive rung on that ladder of success is hovering within reach again.
If they manage to get a grip on it then it would be well deserved, but as with the first attempt that is going to be something that is down to public support.

So get listening, get buying, get going to see them in action as I don’t want to be writing a where are they now article down the line.

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