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Showing posts with label Party Asylum. Show all posts
Showing posts with label Party Asylum. Show all posts

Sunday, 22 February 2015

The Bloodstrings/Party Asylum/The Sux Pastels - 18/0215 - The 13th Note - Glasgow

The Sux Pastels are at the watershed point artistically.
Hovering at a point where they are entertaining people with a fifty-fifty set of originals and covers they are certainly touching all the bases, but it is equally obvious that they are also pressing hard on the tipping point as their self penned songs are starting to muscle the much loved classics to the side in the set.
Covers of early Antz and Clash tracks may well have people singing along, but the songs that are about to surface on their debut ep are the real attention grabbers.
Live the four piece power though their set and it’s damn exhilarating to watch them take the year zero punk template and give it a reboot so that it is ready for the twenty first century.
Very often there’s an inordinate amount of attention paid to youth in the music business, but experience trumps it time and time again.
You only have to give a couple of minutes of attention to The Sux Pastels to appreciate that.
They have all been there and bought the t-shirt, and while some very talented young musicians are out there doing a great job of emulating their heroes there is a certain something that the peer group of the greats has that can’t be grasped.
Maybe it’s a fundamental and organic understanding of the roots of the punk ethos that seeps into everything they do.
Regardless of what it is it sounds authentic and evergreen.
If the term punk rock conjures up an image in your head of well crafted songs that have attitude, swagger and aren’t afraid to challenge the listener then The Sux Pastels are for you.

Party Asylum are once again taking things to another level.
With each show they play you can literally see that a fan base is building.
Slowly and assuredly they are making converts and it is obvious why.
It is simply that they are becoming ever increasingly a better act.
We are seeing and hearing evolution in progress here.
There’s still a garage rock element to their set, and the Ramones ramalama that was inspired by Phil Spector is still there, but everything is tighter, more vibrant, more self assured and more, more, well just more really.
There’s a point in a bands career where they go from being considered a good club band to taking on the mantle of just being a good band, and that’s where Party Asylum are now.
They may still be playing clubs, but they are no longer defined by the venues they play.
Take them out of a small club right now and place them on a big stage and they will command it.
You only have to look at the calibre of the support slots they are tucking under the belts to appreciate that the hard work they are putting in is starting to deliver rewards.
And justifiably so.
Go and see them and enjoy your favourite band of tomorrow today.

The horror punk/rockabilly sound isn’t one that has been widely picked up on in Scotland.
While we do have a few excellent bands ploughing that particular field it is basically true that the fans of the bass being slapped and b-movie lyrics have often had to get their kicks from touring acts who are willing to take a chance and venture north of the border.
So all hail The Bloodstrings, who were making their debut in Glasgow.

It has been a while since I had a fix of this particular genre so it was a very pleasurable experience to get the opportunity to get reacquainted with it.
From the beginning they put their foot down and played a set that rarely had a foot near the brake.
You want it hard and fast? Then this was it.
At points Doc Nics hand was blur on the double bass and the guitar licks were an inspired mix of heavy rock and rock and roll.

Just what the doctor ordered, two great supports and then the icing on the cake.

Surprisingly enough the audience was not made up of the usual psychobilly suspects, and instead a very mixed group of music fans, but not playing to what would be a traditional didn’t seem to matter at all as both the band and audience were operating a mutual respect deal.
The band came to rock, the audience came to be rocked and everyone went home happy.

This ability to entertain out with the genre that they exist in is something that has to be credited.
It draws attention to the crossover appeal that they have and on the cover of the Sonny Bono penned Bang Bang they just hammer home that they have a broader appeal than some of their peers.


Quality entertainment and you should keep an eye out for the bands return. 

Monday, 12 January 2015

Dipping a toe back in with The Bloodstrings.

Okay, I've had enough time off and a few gigs have been booked.
First of these will be German rockabilly/psychobilly band The Bloodstrings.
Touring the UK in support of their debut album 'Coal Black Heart' this is their first time in Glasgow and I am hoping that it won't be their last.

If you love the sound of the Horrorpops, Kitty in a Casket and The Creepshow then these guys will tick all your boxes.

Along with them will be The Sux Pastels and Party Asylum.
Most people will know the latter as they go from strength to strength with every gig, but the former from East Kilbride have all been doing the rounds for a number of years in one band or another such as Jesus and Mary Chain and Baby's got a Gun to name just two.

It's looking good.
A solid three band bill at a fiver.
Maybe Wednesdays will be the new Fridays.
School night rock and roll a go go.

Over the next few days another couple of gigs will be announced.
Just awaiting tickets for this one and they will be on sale from Tickets Scotland and NHC Music* and of course The Sux Pastels and Party Asylum.

* No booking fee from NHC


Event page (Feel free to invite people)

NHC Music

Tickets Scotland




Monday, 10 March 2014

Eureka Machines - Scottish tour.

As mentioned so many times before I am never too keen on reviewing events that I have promoted.
Anything said that is favourable can very easily be misconstrued as a trumpet blowing exercise.
So instead of considering this as a review it is probably best if the Eureka Machines Scottish dates were to be thought of as akin to a tour diary rather than a review.

Friday 07/03/14 – Audio – Glasgow.

Arrived in Glasgow in a timely fashion and hit some shops as a time killer before load in at 4pm.
Felt pretty proud of myself as we, Kelly and I, spent half an hour in Missing records, and I managed to leave empty handed.
That is rocking horse shit rare, and maybe, just maybe, I’m finally getting a handle on my vinyl addiction.
With about an hour still to fill we popped into the Crystal Palace that is next door to Audio.
It’s one of those Wetherspoon behemoths.
Kelly had a hot chocolate that allegedly had chocolate in it but tasted of dishwater, and I had a cola that was possibly just water from a muddy puddle.
It had the colour, but that was all.
Never let it be said that a crap hot chocolate and cola can ruin our day though, as instead of complaining we just got on with it.
First world problems neatly banished we popped around to Audio to find the Eureka Machines and their mate Matt, had just arrived as well as Butler (Sound engineer for the evening).
So after a quick hello and a nice to see you all again, we loaded all the gear in (yep, a promoter that helps load the gear in. The rocking horse shit is building up) and Kelly went to Ticket Scotland to pick up the presales.
Sound check slipped by with no issues at all, and then the really important stuff was dealt with as I went out and picked up the rider that consisted of lager, some lager and some more lager.
I’d like to say there were no prima-donna requests from the band, but Pete let them down by asking for a “fruity cider, but not pear, maybe summer fruits”.
You can just tell that if the band hit the giddy heights of playing stadiums he will have an entourage and a list of demands that features midgets in thongs whose sole job is to separate the red Skittles from the rest of the colours.
Back stage will look like a scene from Caligula filmed in Willy Wonka’s factory.
Anyway Lidl didn’t have any so he had to do with a white wine spritzer in a can that seemed equally girly and probably isn’t much different from a summer fruit cider.
Jason of debrasco had arrived by then, closely followed by two thirds of Party Asylum and a singular Rank Berry. (Calling Brian a singular Rank Berry sounds worse than it really is.)
With the rest of the members of the support bands arriving in dribs and drabs we left them in the capable hands of Butler as we returned to the Crystal Palace to grab something to eat.
We all avoided the hot chocolate and cola this time.
Once bitten, twice shy as Ian Hunter would say.
Instead we had what turned out to be a lovely meal, and a conversation that if anyone listened into it must have sounded like a self help meeting of music nuts.

Me - Hi. My name is Mainy and I am a music addict.
Eureka Machines and Matt – Hello Mainy.

With the time creeping ever onwards everything fell neatly into place with us all finishing up our meals and drinks and arriving back at the venue ten minutes before doors.

Everyone there was ready, and with a last minute whirl of activity so were we.

Biggest surprise of the evening was opening up, and people coming in.
Not that people coming to a gig is a surprise, but arriving in time for the supports often is.
This time the crowd was already swelling nicely (behave) as Party Asylum took to the stage.
This is the third time that I’ve had them on a bill and with each outing they are incrementally getting better and better.
A grungier garage rock sound is coming to the fore and it’s great to see them growing up in public like this.
Even better was that random people kept coming over to tell me how much they had enjoyed the set from them as the comments were all framed in seeing a positive progression.
As a band they are certainly refusing to let any grass grow under their feet and it shows.

Debrasco don’t mess about.
Hard rocking seems to come easy to them as they powered through a set of modern rock songs that sound as if they are influenced by punk, grunge and even little hints of the dreaded nu-metal of the late nineties – although that’s not to be taken as a negative as it’s lightly layered on and adds more than it takes to the material.
It was heartening to see the guys do some brisk business in merch to what would have been an audience who were seeing them for the first time.
They should take some pride from that as not many support acts can pull that off.

This was to be the last show for Rank Berry guitarist Sean, as he is relocating to London, and it would be fair to say that he left the band in style.
Being self confessed Eureka Machines fans the band were excited about sharing a stage with them, and intent on enjoying themselves as much as possible.
It was this enthusiasm that made their set such and infectiously fun proposition.
Blistering guitar solos, manic rhythm work, pounding drums and bass all sugared with the soulful rock vocals of Jamie.
Throwing in a Wildhearts cover to finish the set could have been a bit hit and miss, but ended up all hit.
Nicely done, and as with Debrasco and Party Asylum they finished their set to the second as arranged.

This is one of those little things that people maybe don’t consider that much, but set times, running orders and such, are all done prior to the gig, and everyone should know exactly what they are doing, and yet very often when managing an event of any size you have to push to the side of the stage and motion to an act that they have one more song as if you don’t then they will just play on and on and on.
So it’s a pleasure to work with people who have an eye on making the night run as smoothly as possible, and in this case all the supports did just that.
So thank you.
It’s this self policing that allows me top relax a bit and crack open another can instead of running about putting out fires.
Much appreciated.

I could say similar about the professionalism of Chris, Pete, Davros, Wayne and Matt.
This is the second Eureka Machines gig that I have booked and they are old hands at this.
There is no drama, and they simply turn up and do everything that they promise they will, and that’s mainly attempting to take the roof off the venue they are in.
As a unit it is rare to see a band so tight and attuned to each other.
There are the known choreographed moves in specific songs, but nothing comes across as stale, or even contrived.
It’s all just one big ball of fun, and the audience who know what they are going to get are quick to pick up on the energy, while those who are new to the band were barely a step behind.
It seemed to be one of those gigs were the band and audience fed of each other, and with each song it just got better and better.
Plenty of people have been asking that age old question of “why aren’t they massive” often enough over the years, but with gigs like this, and news coming in on the night that they had won three “Pure Rawk” awards, it is maybe getting closer to them grabbing some quality time in the spotlight, and if they do manage to get into that position I can’t think of anyone else who deserves it more as they work hard at this.

A quick encore and it was that part of the night when the lightweights were spent and looking to head home.
(I'm looking at you Mark Hickey)
Meanwhile Eureka Machines scored some drink from Audio who kindly bent over backwards to accommodate us all, and Kelly and me slipped around to the Classic Grand who had offered free entry to their rock night for anyone with a Eureka’s ticket.

Accompanied by Jen and Androo of Party Asylum, their mate Ryan, and Christie Connor-Vernal, we arrived to find the DJ playing some grunty industrial death metal to a horde of long haired, denim clad extras from some post apocalyptic b-movie.
With our usual disregard for convention it only took us twenty minutes to persuade the DJ to play some Pat Benatar and Bonnie Tyler, and yes the combination of both did manage to clear the floor.
It was a bit surreal doing an impression of Bonnie in the middle of a circle of growling rock fans, but sometimes you just have to reach down deep and grab that inner Bonnie and go with it.

Top night, top bands, top people, and I am seriously thinking about buying a top hat.
Okay that last bit doesn't fit, but I thought I’d slip it in and pre-warn people.



Saturday – 08/02/14 – Bannermans (Edinburgh)

Well last night ended with a promise to do it all again today, but Kelly’s car didn’t want to play and failed its MOT in grand style in the morning.
Never say never though.
With Kelly making a few calls she managed to secure a car, and with a flurry of messages online we arranged to pick up Brian of Rank Berry, his partner Gillian, and Euan, who is Jamie of Rank Berry’s brother, and then head on through to the east coast.

The journey was uneventful, although we did talk about how if I won the lottery I wanted to buy a couple of dwarves with tourettes, dress them in tiny gimp suits, and strut about my home town with the snapping at people on the end of leads.
Apparently this is beyond the pale as dwarves are according to the others real humans.
That can’t be true.
Of course they look human, but they must be closer to an animal species.
Am I right, or am I right?
It doesn’t matter anyway because if I won a silly amount of money I am sure I could pick up a couple online.
You can’t get anything online.
Euan and I also decided that bananas are not a fruit.
Think about it.
Fruit is pretty much always round or oval. 
We have oranges, apples, pears to an extent, melons, berries, grapes etc.
Then you have this banana thing.
It doesn’t look like any other fruit, has a different texture and less in common with other fruits than I have with a dwarf.
So, our conclusion is that a banana is just a banana.
It sits alone as a food group.
There’s meat, vegetables, nuts, dairy, fruit and bananas.
They are like the duck billed platypus of the food world.

No one told us the rugby was on.
Scotland was playing France and the traffic was suitable chaotic.
It wasn’t helped by some limo with flags on it getting escorted out of the city.
Apparently putting a couple of flags on the bonnet of your car gives you the right of way in any situation and cops on motorbikes flanking you to make sure no one rips the piss.
While that was slightly annoying (‘mon the proletariat) it was less entertaining than seeing a guy dressed as Obelisk.
There was no sign of Asterix though.
Shame that.
The two of them strutting down a road with a wild boar on Obelisks shoulder would have made my day.

I’d never been in Bannermans before, but it’s a pretty cool little rock and roll boozer with an impressive line up of bands coming in the next few months so I expect I’ll be back sooner than later.
It was very nice to coincidently meet up with Wildhearts/NY Dolls fans Mo and her husband again.
It’s always good to bump into people as part of the gig going experience.

First act of the night was Shatterhand who deal in the harder side of pop punk, although the pop element shouldn’t be focussed too heavily on as it’s really just being used to highlight that they have a good grip of melody that they graft onto the brutality and use to shade what they do to good effect.
I’ve seen the band loads of times over the years and I never get tired of them.
They are stalwarts in the Edinburgh punk scene and it’s a well deserved position they hold.
Some people felt the set was a bit short, but it’s a clean blast that never overstayed its welcome and I was once again entertained so I’m not complaining.

Buzzbomb are another act that has been earning their stripes for a very long time, and it’s great to see that an elusive break in the music business has never dampened their enthusiasm for what they do.
It’s all a blur of a nuanced take on the harder, more metallic, side of the punk rock road.
Motorhead, Misfits, The Ramones for a bit of shading, and more all jostle with each other to rise to the top as a main influence, but the guys keep them all corralled in together and keep it interesting.
By the time they raced through their setlist the sweat was running off them and it’s admirable to see them put so much energy into it all.

Eureka Machines don’t mess about though, and with the crowd growing to a nice level they weren’t slow in rising to the challenge and entertaining everyone present.

This time without having to worry about anything and just assuming the more comfortable role of punter I managed to dance about a bit, sing a lot and enjoy a drink or two. 
At my age two nights out should be considered rather reckless, but fatigue and hangovers have not been an issue over the weekend.

After the show we talked some more nonsense with the guys from Eureka Machine, Chris showed us the tattoo of Jon Poole he has on his right buttock twice and then we said our goodbyes and looked for a chip shop that provided vinegar with the salt.
It’s a strange place is Edinburgh.
When did “do you want salt and vinegar with that become salt and sauce”.
Philistines.

Going home was even less eventful than heading there.
It all ended with Gillian having a pee behind a skip and Brian leaving his phone in the car prior to them heading to a party that allegedly had moved to accident and emergency as someone managed to get their penis bit.
I’m only mentioning that last bit in case at any point in the future Brian asks anyone to go to a party with him.
It’s on you if you say yes.

And with that all I can do is raise a glass and say “here’s to the next time”.
Also, and this is just a thought, but if everyone who attended both shows could bring a friend next time we could really push the Eureka Machine lads forward a bit.

They deserve it, and let’s be honest, so do we.


Wednesday, 22 January 2014

Duncan Reid & the Big Heads - 13th Note - 18/01/14 (Glasgow)

A matinee show you say.
Oh why not. In for a penny, in for a pound, and with that itsaxxxxthings first gig of 2014 was booked.

So not long after lunch time on a Saturday - while others were adding to the rising stock shares of Primark - here we all were in the 13th Note sheltering from the reality of the outside world and looking to indulge in the fantasy of rock and roll for a few hours.

Monsterpop – the solo alter ego of Jimmy Devlin – opened the day with an unsurprisingly accomplished set of power pop originals. (Unsurprisingly accomplished as he’s been around the block a few times and has an excellent ear for a hook.) Anyone who had pulled themselves away from the upstairs bar early doors was certainly provided with an aural treat.
With just his voice and an electric guitar he’s able to run rings around some full bands.
Usually the idea of one man doing power pop raises a few eyebrows as it is a sound that lends itself to a full band, yet five minutes into a set and any preconceived concerns are very easily brushed off as the material and delivery speaks for itself.
As is the norm when an original artist is looking to draw some appreciation from a cold audience they throw in a couple of familiar songs, and both the Sex Pistols and Welsh rockers Badfinger were given the Monsterpop treatment to great effect.
With the future plans for the project including some full band shows it would be fair to say that those who are already impressed with the solo outings so far are going to have a great deal of awesome to wrap their heads around soon.

Party Asylum are a band growing up in public, and with that those who have witnessed them a few times are seeing an incrementally improvement with every gig.
There’s a bit of the Runaways in the sound, but it’s still comfortable residing in the garage, and then without missing a beat the band can step up close to the punk grunge of L7 while maintaining an eye on some bubblegum pop.
It can sound a bit schizophrenic, but pretty much all of it is working, and the bits that are maybe falling a bit short are reaching for the prize so it’s all good.
Songs seem to be getting dropped from their set while newer ones are being added at a rapid pace with this highlighting that artistically they are going through a growth spurt.
Given the opportunity to be in the right place at the right time Party Asylum could surprise a few people and break out from the local scene in the way The Amazing Snakeheads have.
Keep an eye out for their name under the ‘ones to watch’ headlines.
There aren’t that many bands who can blaze their way through twenty odd minutes of music and in doing so draw the reaction of one promoter and a record label to them, but that’s what Party Asylum did.

It’s with no hint of embarrassment that I can lay claim to publicly shouting from a few rooftops that the Media Whores released one of the best albums of the year in late 2013, and as it is still bedding in with people it’s continuing to garner one rave review after another with each positive word lending credence to my early ravings.
I’m personally very pleased to see a band that I placed some faith in consistently proving me right.
Forget mainstream success, and just simply consider artistic credibility and the band are there.
One of the reasons that the band are doing so well is very obviously down to them being able to walk the walk though.
If you deliver in the studio you have to add a dimension to the songs live that gets an audiences blood pumping and the boys are doing exactly that with every show they play
With every gig that they tuck under their belts they are killing it.
Their ability to use punk rock as a springboard to leap from into a melting pot of influences is a joy to experience.

The day was always going to belong to Duncan Reid though.
I could be wrong - it is known to happen – but I think the last time he graced Glasgow with his presence was when his band The Boys opened for the Ramones in the legendary Apollo.
Since then he’s hit every corner of the globe wielding his bass and scissor kicking his way across stages large and small.
However the sidekick role has now been firmly set aside, and with his band ‘The Big Heads’ he has set out to grab some of the spotlight for himself.
It only took thirty five years of writing, but with his debut he has the material, and the band, to make more than just a credible effort at keeping it shining on him.
What he is doing is far less than the busmans holiday that some may think. Instead it’s a clear move to lay the foundations for a career move that couldn’t be described as one that simply wants to tread water.
I will hazard a guess that during the process of writing and recording, and now playing live, the thought at the forefront of Duncans mind was/is how he could take an attitude and sound that some already think of as perfect and take it to the next stage, or ultimately that the project wasn’t worth doing at all.
If I am right then he can rest easy at night knowing that he, and his band, have achieved just that.
The proof, as they say, is in the pudding though, and on a dreacht* Saturday afternoon he shook the foundations of the 13th Note and garnered fistfuls of younger fans who until that day probably didn’t have much knowledge of his past endeavors, while keeping the faith of those a bit longer in the tooth.
A more difficult balancing trick than some may think.
It is this ability to take original music out there and secure peoples attentions from cold that can’t really be stressed enough though.
Past efforts meant little and everything they played was judged in the here and now and was found not to fall short in any way.
With a blistering set that had confidence in the material from his debut they took those who were there by the hand and led them on a merry dance.
The Boys tracks were of course a welcome addition, but refreshingly there was no move to hang the rest of the set off them as if they were a nostalgic coat hook.
If there was ever a gig that deserves to reside in the ‘you should have been there’ conversations then this was it.
First gig of the year for me and the benchmark is already set ridiculously high.
Outstanding.

* Scottish word for an overcast, dull and wet day.


Photographs by Gobo Photography. More form the show and Hi Res versions can be found here