It’s all becoming a bit too much.
I’m talking about concert
tickets.
Just today I read an article
about the forthcoming Aerosmith/Slash tour over in the US with the tickets going for over 30% more than is the average norm.
To see your idols it could cost
the UK
equivalent of £162 plus some change.
Please keep in mind that this is
prior to the booking fees and more being added on and that price has nothing to
do with how much the legalised scalpers will charge.
For me it is just a step too far.
I was one of those people who
splurged out all their savings to take my son and girlfriend to see The Who,
and while I baulked at how much it was it didn’t come close to this.
Few people go to gigs solo so the
reality is that you can double the ticket price and fees straight off the bat.
So if those prices were emulated
here then for a big gig you could be looking at £324 plus booking fees for a
couple before you have even left your house.
I remember this was a hot topic
many years ago with the argument being that tickets for football matches were
easing fans on lower incomes out of the picture.
Some could claim that this never
eventually happened, but I suspect there are quite a few seats in stadiums
across the country that were vacated by the poorer of us and now are being
warmed by the bums of the upwardly mobile.
Attendances may not have changed
much, but the demographic of the crowd probably did.
And now we are seeing similar
with live music events.
To paraphrase Lennon “Would the
people in the cheaper seats just rattle your jewellery."
If you can score a cheap-ish
ticket for a show in an enormo-dome then the seating reflects what you will
have spent with anything less than fifty quid leaving you sitting in the nosebleeds
miles away from the stage.
I’m left wondering what the
attraction of that would be.
Maybe opera glasses and a Sherpa
should be thrown in with the ticket price.
The problem isn’t really about
the prices though. It’s all about the acceptance of them.
If an artist can sell out a venue
with the tickets going for over a hundred quid then who is to blame really?
Is it the artists, or is it those
who will spend that amount?
Are we really just feeding this
beast with our patronage?
There is always the point that
with physical sales of music dropping that this is where the money is now, but
should we the music fans be dragged into a situation that was created by the
industry itself?
As a US friend pointed out, the poor are
already out of the equation so it is the more affluent that are being targeted,
and who could argue with that?
Tot up how much a ticket is for a
Hydro date in Glasgow ,
then add on travelling expenses, cost of drinks and merchandise, and a night
out for two can touch on £200 at a minimum.
If they are minimum wage earners
then they are working 31 hours between them to cover that.
That’s nearly four eight hour
shifts for one night out.
Of course music fans aren’t
looking at it in this way, but maybe they should.
It’s a game that I am out of.
I can’t play it anymore.
There could be some exceptions,
but in the main I have been frozen out of it.
I struggled to find any figures for the UK, but get ready to have an eye watering look at last years summer tours of the US here.
Fair comments I reckon. I suppose with the downturn in music sales, live performance and merch (especially for heritage artists) is where money can be made. Thing is, if folk are prepared to pay those prices, they aren't going to offer cheaper tickets. Just bought Prince tickets for the Hydro. Most I've paid for a single artist.
ReplyDeleteIt's an ugly business.
ReplyDeleteThere are artists now who have been going for decades and never really made much due to the deals they had, and then with other factors, such as downloading, they took a second financial hit.
I don't really begrudge them a pay day now, but there is a limit to what we can afford and going to the larger gigs will end up being something that only the wealthy can engage with.
The upside of that is possibly those who can't afford the big gigs in the big venues may look for their musical kicks in the clubs and smaller venues meaning that fresh talent will see an increase in support.
Fingers crossed on that.