So Robbie
Williams is wondering aloud where all the protest singers are.
(He did
this in The Sun. So most will be forgiven for missing it.)
Well it
may surprise him, but they didn't go the way of the dinosaur, but are
in fact alive and well.
They're
everywhere, but I'm not surprised that Robbie hasn't noticed them, as
the music business isn't looking to invest in anyone who
predominately pushes a political message.
That's
why they aren't in his line of sight.
Consider
the music business as being run in the same manner as a supermarket.
As soon
as you walk in the door then at eye level is your Rhianna's and One
Direction's.
The stuff
they want to sell you, and that they know is popular.
Meanwhile
your protest singers are in the aisle where the boot polish is kept,
and even then you have to dig deep behind the fire lighters to find
them.
They're
at the back of the bottom shelf on the least visited aisle in the
supermarket.
That's
where they are.
Then if
you consider that Robbie probably gets his meals delivered to him,
and doesn't actually take a trip to the supermarket, then it becomes
completely understandable why he thinks that the protest singers are
the Dodo's of the music world.
This is
just the way of things though.
Nothing
has changed really.
What
people need to accept is that the music business is viewed as having
a lower case m and capital B by those who sit on the boards of
labels.
They
aren't about investing in talent, or promoting music as an artistic
statement.
They are
interested in profit, and that alone.
The
financial bottom line is everything to them.
The only
time that they will look to invest in an artist who could be
described as a protest singer is if that person has drawn enough
attention to themselves as being someone who can generate a buck for
them.
If you
want to broaden that out a bit to beyond the individual then consider
rock and roll.
It was
the devils music and no business was willing to put any money into
it.
Fast
forward a bit and then when they seen the dispensable income of the
teenager floating about in the post war years they decided they
wanted a slice of the pie, and all of a sudden rock and roll was
absorbed into the mainstream.
The same
thing has happened with every underground scene.
Basically
there has to be the lure of filthy lucre, or they have no interest.
It's a
case of there has to be a demand for it, and then they will supply
it.
They
don't play the game the other way around.
So the
answer to the question put forth by Robbie Williams is that they are
out there, but not where you are looking Robbie mate, and that's not
going to change any time soon.
Unfortunately
it doesn't matter how much some of us would wish to change this,
because part of the problem is that more people want to watch The
Only Way is Essex than Newsnight, and in the same way the audience is
there for The Saturdays but not TV Smith, and until that changes then
we are stuck with what the majority want.
If Robbie
really does want to hear some songs with a bit of attitude about
them, songs that challenge, ones that reflect the ills of society and
demand to know why things aren't changing for the better, then what
he can do is drop me a line.
I'll
happily fix him up with some protest singers.
I'm knee
deep in them here.
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