With the
release of The Journey, the Mike Peters fronted Big Country are in a
way stepping into a lions den and inviting the truculent to air their
criticisms.
When the
band originally reformed the gathering storm of protest from fans
looked as if no teacup would be able to hold it.
However
the naysayers soon found themselves having to order a portion of
humble pie when they took to stages and with some aplomb turned the
spluttering flame that was Big Country into a wonderful conflagration
of sound that would burn every minor critique to ash.
Part of
the success of the second (third to the pedantic) coming of Big
Country was undoubtedly down to the bands understanding that Stuart
Adamson could not be left behind.
That his
memory should be honoured and the material approached with a degree
of reverence that it deserved.
Not that
the reverence would be coached in sombre tones either, but more that
it would be a reverential celebration.
So with
each gig they all reinvested in the name, and the bands history, and
then even the most begrudging fan was ultimately swept along in their
wake.
Quite
simply put all was fine in the Big Country.
Now the
storm clouds are gathering again with some fans taking umbrage that
new material that is obviously sans Adamson is on the horizon.
It's
partially understandable as this album will always be considered as
the beginning of a new chapter.
A chapter
of a story that some are happy to have considered to have ended.
Of course
it's an individuals right to hang onto the past as tightly as they
would wish, but this isn't a release that closes one door merely to
open another, and instead it's more a stepping stone from the past
into the future.
Once
heard it would be safe to say that similar to how the previous live
dates won the fans over that this will do likewise.
Mainly
because it is still recognizably Big Country.
If the
band wanted to move in a new direction then a name change would have
been the best option for them, but the direction they are taking is
really just another step down a path that the original members and
Stuart had already charted out.
To my
ears it sounds like a natural progression, and that's what will win
the day out.
I can
imagine that with each writing and practice session that the band
themselves would have been tweaking and tinkering with every single
song until they had something that they knew was of a standard that
would be acceptable to the fans, and then when they went in to record
it that they then turned it up a notch with the consideration that it
is better safe than sorry.
In fact
that about sums it up.
It's a Big Country album for Big Country fans.
Hats off
to them.
They did
exactly what some thought they couldn't.
Big
Country as a brand seems to be in safe hands.
Ah, balanced reporting! Who knew!? Thanks very much I really enjoyed reading this.
ReplyDeleteThank you.
ReplyDeleteIt's been a great week for music.
This arrived, picked up the latest Girl in a Coma CD, the new Eureka Machines CD turned up this morning.
So much good music to enjoy.
This weekend will comprise of going to see Vinyl and then catching Jericho Hill (A Johnny Cash covers band that lean towards filtering the man in blacks song through the spirit of the Clash) and then with any luck it's The Bouncing Souls on Sunday.
By Monday I may need a week to recover.